Pieces of My Mind, Night / Nebula Series
Watercolor Paper, Craft Paper
Size Varies
2025
Built on the ideology of "Pieces of My Mind, Pale" series, the new series digs deep into inner dark/colorful thoughts and connections between the ideas, connections built unconsciously, and the inevitable mutation of the thoughts as time goes by. Childhood's little "lanterns" constraints and protect the fragments of thoughts throughout years of personal experiences, and eventually burst into a nebula. Every sharp and pointy piece one cut off from their own personality for the sake of blending into social norms eventually came back, attached to themselves, dragged along and became the weapon and tentacle to reach new edges.
Pieces of My Mind, Pale
Watercolor Paper, Craft Paper
Each Individual Piece 4.5x4.5", Installation Size Varies
2024
There is the saying "The truly wise hide in plain sight" that inspired this piece, which investigates what we choose to perceive and thus remember, and what we allow to be unseen and forgotten. In a time when cultural narratives are often rewritten or erased, these sculptures stand as tactile symbols to hidden stories and silenced voices.
Visually innovative and enjoyable, the loose works can be freely reorganized, offering endless possibilities. Though in futuristic sculptural forms, each piece carries a backstory rooted in personal lived experience and heritage, responding to childhood memories of paper lantern making, as well as broader issues such as migration, displacement, and identity. The surreal versions of “lantern” looking structures is both the cage and shelter of the stories and thoughts. The crowded installation view reminds viewers where individuals belong or choose to engage with.
Migration
Watercolor Paper, Craft Paper
Each Individual Piece between 2x2" to 4.5x4.5", Installation Size Varies
2025
Migration and resettlement is sometimes considered a privilege without being noticed, while Individuals who actively or passively participate in this process are inevitably influenced by their new environment and the other individuals around them. They shed part of themselves and pick up another part that happens to be nearby, wearing it like a garment.
As part of a fluid, large-scale installation, each paper sculpture features a light, self-sustaining structure that can withstand pressure and falls, while simultaneously extending outward with fragile spikes that embody the contradictions that emerge from within the self. Each cut-off piece becomes an independent figure, then magically returns to its original place, being reattached to oneself.
Presenting a kind of loneliness in a crowded place allows the paper sculpture to create a certain mood or emotion in a simple way. Viewers often read these individual paper sculptures as surreal “creatures” that flies and migrate together, forming an uncertain path. The installation as a collective system portrayed a tendency of unrelated animals and plants to evolve superficially similar characteristics under similar environmental conditions.
Pieces of My Mind, Origin
Watercolor Paper, Craft Paper
Each Individual Piece 4.5x4.5", Installation Size Varies
2023-24
The "Origin" installation unfolds as a constellation of suspended forms that drift across the wall like fragments of thought made visible. Each intricate structure appears both organic and unstable—resembling cells, shells, or internal architectures—held together by delicate networks of cuts that echo the logic of memory itself. The stark contrast between black and white intensifies their presence, while the directional lighting casts elongated shadows that double each form, suggesting the layered nature of consciousness: what is seen and what lingers beneath.
Installed in a loose, orbit-like arrangement, the elements evoke a state of emergence, as if these fragments are in the process of gathering, separating, and reconfiguring. The work reflects an origin point—not as a fixed beginning, but as an ongoing formation of identity and perception, where thoughts, experiences, and subconscious impulses continuously collide and reshape one another.
The Bento Box Series
Watercolor Paper, Craft Paper, Other Cutout Materials
Installation Size Varies
2025
A Japanese-style lunchbox composed of a series of art materials, potentially containing fragments of large-scale installations from different eras and materials, or perhaps holding creative ideas nearing completion. This interactive installation is not meant to be hung on walls but appears randomly on various surfaces within the environment. Viewers feel an impulse to pick it up, select pieces, and use them—as if briefly owning them or becoming part of a larger artwork.
During the interactive activities with the artist, visitors can choose components of paper art pieces in the same way like selecting “food for thought” to collaborate with the artist on creating a large-scale artwork. This setting evokes the warm, family-like atmosphere as if community members and family members cooking together during festive events.
The Ripple Series
Watercolor Paper, Craft Paper
Each Individual Piece 4.5x4.5", Installation Size Varies
2025
The language of Eastern culture is subtle, often holding back words or leaving them unsaid, like a string of ellipses on a wall—reserved yet aloof, shy yet restrained. People sometimes describe this state of mind as ripples in the heart, as if a single drop of water disturbs the tranquil surface.